Film Archives - Bill Kandiliotis

The Belmondo Effect

Posted on 9 August, 20239 August, 2023 by Bill Kandiliotis in Film, Review

Cinema, as a medium, has undergone a remarkable evolution since its inception, with various genres adapting and transforming over time to capture the ever-changing tastes and sensibilities of audiences. One of the most dynamic and enduring is the action genre, having matured into a multifaceted cinematic realm that explores complex themes, character development, and innovative storytelling techniques. As visual entertainment, the action genre has continuously evolved, reflecting the shifting cultural, and societal dynamics involving thrills and violence on the screen. Within this evolution, certain individuals have left an indelible mark on specific genres, forever altering the trajectory of filmmaking. One such luminary is the iconic Jean-Paul Belmondo, whose charismatic presence and groundbreaking performances have left an enduring influence on the action genre, including stunt work, car chases, and martial arts in cinema.

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The Asimov Cosmos

Posted on 15 May, 202313 June, 2023 by Bill Kandiliotis in Film, Review, Science Fiction, Writing

It could sound like a clique stating my first ever science fiction read was Isaac Asimov back in the late ’70s, but this may have been unavoidable. This guy was an iconic American writer and professor who dominated the genre for half a century. He even boasted he was the “Best Science Writer” backed up by none other than Arthur C. Clarke. They actually had made an agreement with each other, negotiated as they shared a cab in New York, the so-called “Clarke–Asimov Treaty of Park Avenue”.

The treaty stipulated that Asimov would always proclaim Clarke as the greatest science fiction writer in the world, with himself as runner-up, and Clarke would similarly proclaim Asimov as the best science writer, with himself as runner-up.

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The Iberian

Posted on 12 April, 20234 July, 2023 by Bill Kandiliotis in Film, Review, Writing

Why is Russell Crowe not in the upcoming Ridley Scott Gladiator movie? As Paramount and Scott Free prepare for the new venture into the world of ancient Rome once again, with a late 2024 release, it seems that they’ve settled on making this a sequel.

Maximus Decimus Meridius meets his end at the end of the original 2000 epic historical drama film after the general is betrayed by the new Emperor Commodus, has his family killed, and is forced into slavery. After serving in the gladiatorial arena, and getting his revenge on Commodus, Maximus succumbs to his wounds and dies a hero.

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The Omega Legend

Posted on 4 November, 202224 May, 2023 by Bill Kandiliotis in Film, Review

Of all the tropes, the ‘Last of a Kind’ concept is one of that rare theme, plot and character devices that has evolved into mythical existence with one perfect master stroke. Richard Matheson’s classic vampire novel towers over them all. ‘I Am Legend (1954)’ is an ingenious hybrid of two previous classics, such as Mary Shelley’s ‘The Last Man (1826)’ and Bram Stoker’s ‘Dracula (1897)’. Vampirism and plague, a combination that captures the definitive pretext for a last man alive narrative, grounding the myth of the supernatural with the reality of pathogens.

Matheson also deploys another trope in the finale of the story, one that is more devastating in its social commentary. The vampires, the pandemic, and the last man on Earth are just the setup for the novella’s central message, and it’s the one element shunned by all the film adaptations to date.

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Gods of Wokeness

Posted on 8 March, 202114 July, 2023 by Bill Kandiliotis in Film, Politics, Review

The golden age is over.

Works of art are no longer produced to quench a bored populace, who thirst for the type of content that frees them from their mundane lives, enhancing their outlook on life with fascinating stories, old and new, inspiring them to understand their lives and the world they live in.

Post-2016, works of art have degenerated into force-fed garbage that nobody wants, needs or trusts anymore. Deranged by political agenda or succumbing to incompetence, producers still want your money but aren’t willing or capable of delivering what the consumer wants.

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The Carpenter

Posted on 26 February, 202014 July, 2023 by Bill Kandiliotis in Film, Review, Writing

All artists are influenced by the previous generation of artists. Westerns were part of John Carpenter’s cinematic diet growing up. John Ford, and Howard Hawks, these filmmakers were shaping cinema at the time, stamping out a movie language that would become the standard for anyone wishing the tell a story using cinema.

A fan of horror and science fiction movies such as The Thing from Another World and Forbidden Planet, John Carpenter defined another set of standards for a new generation of filmmakers. The modern horror genre is partly his offspring. Like his predecessors, Carpenter mastered the long game, building the tension until the big payoff.

Nowadays, it’s clear that motion pictures have devolved somewhat. Big-budget Hollywood blockbusters lack most of the qualities that gave movies from the past the greatness they deservedly earned. Nowadays, even B-grade movies are more pathetic than ever. Low-budget productions are missing the mark completely.

It’s as if the current batch of filmmakers has stopped learning from the best.

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Star Wars: A Lost Hope

Posted on 21 December, 201914 July, 2023 by Bill Kandiliotis in Film, Review, Writing

Now that this sad shit-show of a saga is over, the only thing we have left, is the thought, ‘what if they did a decent sequel trilogy with a coherent story without the political rape that Disney inflicted upon this series?’. How hard was it to produce something that remotely resembles a Star Wars story?

Apart from the visuals, there are three fundamental flaws with Episodes 7, 8 and 9. The visual effects and art design are the trilogy’s best asset, but sometimes they do act against the films. The entire narrative seems to be built around these great visuals. And then, to make things unbearable, the cluttering of the SFX is overdone, almost to the point of ridiculousness.

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Rise of the Dark Empire: A Star Wars Tragedy

Posted on 28 December, 201813 November, 2022 by Bill Kandiliotis in Film, Review, Science Fiction

Life imitates art.

It inevitably has to, because art starts off by imitating reality in an attempt to explain it in ways we humans can understand. We tell each other stories, to teach ourselves how to coexist in this strange existence, this universe. We learn from these tales all about what it means to be complex social beings.

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The Robocaust

Posted on 20 December, 201717 May, 2023 by Bill Kandiliotis in Artificial Intelligence, Defect, Film, Review, Science and Technology

I bought a novel, Robopocalypse (2011) by Daniel H. Wilson, at an airport bookstore for a fast, time-killing read and while I wasn’t totally disappointed with it, it left me once again tackling the question about this ‘robocalypse’ that everyone is fearful about.

As for the book itself…

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Flash Gordon Saves the Universe

Posted on 2 May, 201724 July, 2023 by Bill Kandiliotis in Film, Flash Fiction, Review

When Flash Gordon was ‘again’ resurrected back (thanks, Princess Aura for the first time) into pop culture by Seth MacFarlane in his film, Ted (2013), I was filled with bemusement and joy. Ever since that day, walking home from school and coming across the giant movie billboard, Mike Hodges’s Flash Gordon has remained doggedly on my top ten list of favourite movies.

Why?

For three decades I felt alone being a fan of this movie. Mention it at film school and people would look at me as if something was fundamentally wrong with my brain. I remember critics panning it at the time, much to my dismay. They were worried about cardboard characters and cardboard sets. Again, to my utter dismay.

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