Now that this sad shit-show of a saga is over, the only thing we have left, is the thought, ‘what if they did a decent sequel trilogy with a coherent story without the political rape that Disney inflicted upon this series?’. How hard was it to produce something that remotely resembles a Star Wars story?
Apart from the visuals, there are three fundamental flaws with Episodes 7, 8 and 9. The visual effects and art design are the trilogy’s best asset, but sometimes they do act against the films. The entire narrative seems to be built around these great visuals. And then, to make things unbearable, the cluttering of the SFX is overdone, almost to the point of ridiculousness.
Continue reading “Star Wars: A Lost Hope” →
“It’s a square.”
Silv heard correctly but wanted clarification. “What do you mean a square?”
“Probe One has just completed a second sweep over your location,” said The Captain, sitting comfortably in the Vitalis Express orbiting KIC10905746 C. “We’ve now got a clearer picture of what’s down there. The anomaly’s actually a large geometric shape, fifty metres wide, just north of your location. In fact, there is a grid of quadrilateral structures underneath a kilometre of nitrogen ice.”
Looking over at Denis, Silv felt vindicated. “Was I right in choosing this dormant glacier for a first landing?”
“Could be naturally occurring formations,” said Denis.
Continue reading “Relic Hunters” →
If there’s one thing John Brunner is known for, it would be the culture shock he gives readers via his books. “Stand on Zanzibar” is one of those, with a staccato style of writing, Brunner throws everything at you; multiple points of view, news bulletins, media blitzes and a cacophony of characters, locations, immersing you in an anarchic, overcrowded corporate megalopolis.
Continue reading “Brunner 2010” →