Which side of the fence are you on? When making a film about a civil war, it’s a good question to ask.
So, when a director attempts to craft a harrowing and immersive experience set in a dystopian near-future America, deploying evocative cinematography, art-house editing and eclectic use of music, against a screenplay so bereft of logic and meaning, the result is some of the dumbest shit committed to film. This is quite an achievement considering how bad cinema has devolved since 2016.
Continue reading “The Fence”