Saberhagen

Fred Saberhagen boasts not only an exceptionally cool authorial moniker but also stands as a luminary in science fiction, chiefly owing to his creation of one of the genre’s most mysterious, notorious, and impactful adversaries—The Berserkers.

A prolific American science fiction and fantasy writer, Fred Saberhagen (1930-2007) left an indelible mark on the genre. His notable contributions include the renowned “Berserker” series, featuring self-replicating robotic warships with a singular mission to annihilate all life in the cosmos. Additionally, Saberhagen reimagined the classic vampire archetype in a contemporary context with his “Dracula” series, introducing the iconic character of Dracula. Renowned for his imaginative storytelling and inventive approaches to traditional science fiction and fantasy themes, Saberhagen’s legacy endures.

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Devious16

11:49

Devious16 wondered why time existed…. if time existed at all.

He attached the power pack to the modified rotary assault rifle. He switched it on, pressed the trigger and the disk above the weapon hissed, spinning at two thousand and a half meters per second. He saw intense yellows and reds swirling across his blurred vision. He saw blues and greens turn to grey.

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The Omega Legend

Of all the tropes, the ‘Last of a Kind’ concept is one of that rare theme, plot and character devices that has evolved into mythical existence with one perfect master stroke. Richard Matheson’s classic vampire novel towers over them all. ‘I Am Legend (1954)’ is an ingenious hybrid of two previous classics, such as Mary Shelley’s ‘The Last Man (1826)’ and Bram Stoker’s ‘Dracula (1897)’. Vampirism and plague, a combination that captures the definitive pretext for a last man alive narrative, grounding the myth of the supernatural with the reality of pathogens.

Matheson also deploys another trope in the finale of the story, one that is more devastating in its social commentary. The vampires, the pandemic, and the last man on Earth are just the setup for the novella’s central message, and it’s the one element shunned by all the film adaptations to date.

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Panology of Science Fiction: F

Finance

The field of economics probably bores the average lit reader and probably most sci-fi readers as well. Yet the best sci-fi reads are the ones that construct plausible alternative financial constructs and economic environments. Whether we like it or not, our lives are immersed and enslaved to whatever the current economic paradigm is in place. So much so that most people don’t even know that alternatives exist. They don’t comprehend that the economic system that they are bound to be only an invention, and that other (maybe better, possibly worse) systems can exist.

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Daybreak over the Valley

First chapter from the novel

No Absolution

“The cat,” says a familiar voice.
What cat?
In the darkness, you are flying. You feel motion, yet you are sitting at a table, opposite a dirty, unshaven guy pointing a burning cigarette at you.
I know this person.
When an angry Bruce Harvey says, “Where’s my cat, fucker?” you conclude it’s a dream. The has-been movie star is interrogating you in a grimy, run-down room surrounded by four cracked, windowless walls, but the only question running through your head is…
Why this actor?
Harvey karate chops you across the back of your neck. It’s not the pain that wakes you, it’s the warm light bleeding in through your eyelids. The nightmare fades, fizzling away, back into your brain’s nether regions, dying alongside discarded aspirations and forgotten memories. Drool runs down the side of your mouth, but you are unable to move. Your face feels numb, due to your cheek pressed against the cold glass. The tinnitus in your ears stops, replaced by the hum of the ute’s engine, and the friction between tyre, road and air, enters your awareness. You open your eyes, just wide enough to squint, focusing on the golden countryside sweeping past outside.
For a moment; reality is a blur.
You attempt to shift your head and are relieved it moves with little pain. Your arm is cramped, and your neck feels broken, but you know this is temporary. The breaking dawn illuminates the narrow, unmarked road, winding around a chain of hills. A clump of trees obscures the misty valley beyond, sending intermittent shafts of copper light to warm your face. Once the trees go by, you marvel at the spectacle, at the amber clouds cruising along the horizon, at the auburn fields, smothered with whispers of mist, rolling up and down between chestnut-coloured forests.

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Sonic Crab

First published on writing.com for a scifi flash-fiction competition, but the moderator never called a winner, in fact, the forum page just disappeared. So, this could be the winning entrant.


Victor heard the sonic crab.

The short bursts of ultra-bass tones echoed across the night-bound, dead-quiet city. He suspected the auton may have already detected his presence when he entered the supermall district. No matter how discreetly he travelled, these autons were sound-sensitive. As well as emitting audio, these things detected it.

Listening.

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Permian Spring

First published on Wattpad


Apparently, they aren’t even reptiles.

With skin covered in scutes, boasting a vertebral sail and powerful jaws, this thing looks like a fat, bear-sized lizard, but Russell Hansard seems to think the wildlife around here predates the dinosaurs by fifty million years. Out of the two thousand surviving passengers on board the Cruise Ship Eudora, Mr Hansard is the only one who claims to be schooled in palaeobiology.

Too bad he isn’t here to see this monster. Somehow it managed to get into the ship and feast on an elderly couple lodging in one of the balcony cabins.

“It’s the biggest one yet,” I gasp, having abandoned living in fear; embracing this impossible, marvellous world.

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